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Two headquarters,
one villa,
and the photographs

Most of our work cannot be shown. The clients on this page gave permission, so the packages, the finishes and the joints are open for you to look at.

Fabricated in 304 or 316L in our own factory in Foshan, then trial-assembled before packing.

Projects
3
Finish family
Copper · bronze · brushed
Drawing set
On request
Where
Guangdong
01

Two projects, two names

Most of what we make sits behind a confidentiality clause. These two clients agreed to be named, and agreed that their finished work could be photographed.

Both buildings are head offices in Guangdong, and both went through the same floor: sheet cut on the laser, folded on a brake that forms a 4,000 mm return in one pass, welded, finished, and crated. What differs is the shape of the work, not the way it is made.

The watchmaker wanted line work: a wall of fins, a screen cut to a ridge, partitions that slide. The group head office wanted volume: counters that read as single blocks, with the joints kept to the shadow gaps.

What was supplied, by package

ClientBuildingPackages we supplied
广东新隆达钟表有限公司
Dawning		Watch manufacturer campusEntrance canopy soffit · full-height fin wall · restaurant screens · tea-room sliding partitions · lift surrounds
宏旺控股集团
Hongwang		Group head officeReception counter · pantry counters · tea-point cabinetry · meeting-area tables · folded drawer boxes
02

At the watchmaker's campus

Four photographs, one building: the fin wall, the restaurant screens, the tea-room partitions, and one lift surround.

Copper-toned metal fins set on a white wall, fanning out and closing on a corner at the left
FIG. 03.1A full-height fin wall, every fin set to its own angle, the fan closing on a corner
Three screen panels of vertical metal rods, the rods stopping along a ridge line, lit from behind
FIG. 03.2Restaurant screens: the rods stop along a ridge, with light behind them
Four sliding partitions with grid frames and translucent infill, set between stone walls
FIG. 03.3Tea room: four partitions on one track, the frames in a bronze tone
A dark bronze-toned lift surround in travertine, with a single header panel above the door
FIG. 03.4Lift surround: the header above the door is one folded panel, not three
03

At the group head office

The other half of the pair. Counters, cabinets and drawer boxes, all in a brushed finish.

A long brushed stainless reception counter, its front folded back to a shadow gap
FIG. 03.5A reception counter, the front folded to a shadow gap rather than a joint
An open drawer box folded from one stainless sheet, with welded dividers inside
FIG. 03.6A drawer box: four sides and a base from one sheet, dividers welded in
A pantry counter with two sinks in one top and flush stainless doors under it
FIG. 03.7Pantry counter: two sinks in one top, doors flush under it
A stainless island counter with a planter sunk into the top and stools along one side
FIG. 03.8A meeting-area island, with a planter sunk into the counter top
04

Peninsula Villa, Foshan

A private villa photographed at handover. No client name, no street address — those stay with the owner.

It is on this page for one reason: the node. A shelf hung on two rods, with nothing visible on the face that carries it. That detail is the same in a hotel bar and in a private library, and it is the part a photograph usually misses.

Bronze-framed glass wine cabinets beside a black marble counter, the racks inside lit
FIG. 03.9Wine room: four glass doors on bronze-toned frames, lit rack by rack
Copper-toned shelves against a hammered copper back panel, each shelf lit from underneath
FIG. 03.10A feature wall, where each shelf lights the panel behind it
A curved shelf wall on bronze-toned uprights with stone backs, lit under every shelf
FIG. 03.11Curved shelving: uprights set out on a radius, backs in stone
Two copper-toned shelves hung on vertical rods, in front of textured glass
FIG. 03.12The node: two shelves on rods, no bracket on the visible face
05

What is not on this page

No square metres

We can name the packages. We cannot publish the building's area, because that figure belongs to the client's project, not to our invoice.

If skippedAn area copied from a tender document looks like evidence and proves nothing about the work.

No programme figures

The dates on this job are the client's schedule. A lead time you can check is on the process page.

If skippedA number nobody can verify costs a supplier nothing to print.

No photograph of another building

Every frame above is this client's own work, in their own building, with their permission.

If skippedStock photographs and other projects' images are the fastest way to lose a named reference.

Read next3 files
How we build a counter that reads as one blockWork10–80 pcsSoffits and canopies without a visible spliceWork800–6,000 m²Six case files with the failures left inCase files6 files

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